Thought I had lost the list I made of things I can play, but just remembered I transcribed it here.

More play-throughs of repertoire.
Opuses 7, 13, 14, 15, 17, 18, Fine, Tango, 20, 23, 21, 22, 26, 28 30, 37, 35
Possibly some things from Medieval to Modern.

My elbow is getting better, but very slowly.

I need to re-record LGR.

Revising set list to things I can play with injuries:
Berceuse Flagello
Notturno Van Delden
Chinese Folk Song I Chung
Zarabanda Turina
Siciliano Bach
Gavotte and Sarabande Corelli
Fuga Cabezon
Pavane Anon
Opus (Opi? Opuses?) 7, 13, 14, 15 O'Halloran

Got all the pedal markings in O'Halloran's book.

I thought my elbow was healed, but I did something else to piss it off, so now it's hurting again.

Trying to relearn Solfeggeitto by KPE Bach and I'm getting now that it's just the same pattern repeated in different keys. I also need to play it more evenly. Do I need to make a practice sheet?

Also trying to work on the problem measures in Automne on 2nd page. Not sure why the transition from line to line is so difficult to have stick in my head. Got tired trying to play it 5x well and let myself not work on it as hard as I could have.

Got Dennis O'Halloran's book of piano solos and wrote in a lot of pedal changes.

Prelud Intimes

I. Pay more attention to the space and relax on tempo.
II. RH can be quieter, it really carries over the lower strings. Pay more attention to LH melody.
III. Get quiter and slower at rits and decrescendo more evenly.
IV. Learn the notes!
V. Ok to leave out.

So I figured out what I can't do on the harp, which is very quick, loud 3-1-2 turn-arounds, which rules out Tambourin and Rigaudon until my tennis elbow is better, and pushes recording and performing off to... sometime in the future. I was pretty depressed today, probably a combination of the weather and the above, and other things.

But! I just remembered I delivered Zarabanda to my engineer for final editing and prettifying, so that's something.

Oh, and I thought of some advice for myself: the whole "polishing a piece" process is new to me, so it's probably going to take the same amount of time and concentration to get that process faster as it did to figure out how to learn pieces faster, ie a LOT.

My tennis elbow has turned into a hand problem now, too. My elbow hurts less.

Trying to play Tambourin with my eyes closed to see if I can get better accuracy. It's sort of working.

Memorizing Fuga is easier than expected, but it goes out of my memory quickly.

I figured I'd do a little work on Pavane, since I pretty much already know it, and get that out of the way recording-wise, but I need to be organized about my work in order to undo the bad version of the chords in my hands that was cemented there in my younger days.

Rigaudon is actually close to ready to record, too.  It would be great to get all those out of the way, then I'd only have two pieces left, and whatever redo's I want.

Upon reviewing the video of me, I mostly look very surprised to see music in front of me.  I need to relax my jaw and lips - maybe wear lipstick a few times as a reminder. I also need to pay more attention to the harp and the notes I'm playing - lean into them. I don't know how else to describe it. Ugh, no fake smiling, either.

Next time aim camera to get hands and move light more toward front.

Came up with a set list, finally, but I need to add about 10 minutes.

Also, video recorded myself. It is sobering.

Spent many hours today and yesterday timing pieces, and I still have not come up with a set list. I'm so done with counting measures and calculating beats and times.

Figured out I can use my recorder as a microphone (duh!) and get immediate feedback.

Went through all the music that I own today - not playing everything - to see what I might or might not want to perform.  It's quite the spectrum. So instead of making a setlist today, I've just sifted through everything.  I'll do some mulling next Friday?

Meh.

Worked trouble spots in Fuga to bottom of 2nd page.

Gave myself blisters trying to get one measure of Arabesque 2.

Ran through exercises looking for repertoire - some Boscha might be good? Or Pozzoli?

Need to mark problem spots in Fuga and work on them.

Played and worked on many things from Solos for the Harp Player in order to build my stamina back up and keep things in playable order.

Fuga does not sound as awesome as I thought. I'm taking too many breath breaks and speeding up too much.

Tambourin sounds better than I thought.

Recorded both, need to do that every day and really pick the parts I like and work them so they always sound that way.

Forgot about the whole "callus peeling off after a break" thing. Super.

The other thing about coming back to the harp after a break is trying to sit up straight and how tiring that is.

Took the first tape line off my fiddle.