Bochsa octaves.

Worked on last 2 Prelude Intimes.

Knocked out more measures of Prelude 4.

Played many of the Solos for Harp Player.

Played and worked on many things from Solos for the Harp Player in order to build my stamina back up and keep things in playable order.

Fuga does not sound as awesome as I thought. I'm taking too many breath breaks and speeding up too much.

Tambourin sounds better than I thought.

Recorded both, need to do that every day and really pick the parts I like and work them so they always sound that way.

Weird shakiness in my left hand prevented me from learning anything new today, so just ran through all the things I've learned from Solos. My left 4th finger was missing everything. I think I'll go have a bit of a lie-down. Too bad I don't have an appropriate Victorian fainting couch, sheesh.

On Playing the Harp

On Playing the Harp by Yolanda Kondonassis

I checked this out from, once again, our lovely Inter-Library Loan system and sat down at the harp and read through it tonight.

I wish I'd had this last year when I was trying to figure out the proper positions for my fingers and elbows. Used as a sequel to Method for the Harp, this book has more than enough details and strengthening exercises to help me out.

Some of the tips that stood out:

Rhythm
I'm notoriously bad about counting measures, and am never sure where I am if I lose the beat. I do play well with a metronome, however. Kondonassis recommends

"when using a metronome," ... "playing through a given passage first without the metronome at a reasonable practice tempo. When you have finished, do the exact same passage again with the metronome."

And she recommends switching back and forth each time the passage is practiced.

The Art of Practicing

'Make sure you aren't reinforcing mistakes by trying to play through things "just to get the overall idea."'

That would be me!

Strengthening and Conditioning

"Add volume to your exercises as you would add weights to a barbell."

This is so blindingly obvious now that it's been pointed out to me.

A reassuring thought:

"People err who think my art comes easily to me. I assure you, dear friend, nobody has devoted so much time and thought to composition as I. There is not a famous master whose music I have not industriously studied many times." - Wolfgang Amadeus Mozart

And a thought to chew on:

"Music is what happens between the notes." -Claude Debussy

What does that mean?

Back after a spring break of sorts and just played through Solos for the Harp Player. I sort-of know everything in there.

Tried to play around in audacity with a piece I had recorded. I was unable to do anything with it because the source material was lousy. So that may be part of the reason I extended my break.

Also, 1950s spike heels are optimal for pedal changing - smooth and efficient.

The new strings are so much easier on the hands.

Same goals as last year: Record harp solos and work on list for show.

Made a note in class today to look into getting a copy of "The Art of Modulating: for Harpists, Pianist, and Organists" by Carlos Salzedo & Lucile Lawrence. Because we're learning modulation! I was not aware that instigating a key change with a chord change was called modulating.

I have the book. I seem to remember being told by someone years ago to get it as it is a useful reference to have. Well, it's a useful reference if you know what modulating means.

Now that I do, the final discussion of constructing glissandi is SO MUCH MORE INTERESTING. There are two kinds: harmonic and melodic. Melodic is not discussed because they are 'the domain of composition and are unlimited in number, but,[...] they have no modulating value' and now I'm curious about those.

BUT harmonic glisses are constructed on dominant 7th and 9th chords, major tonic triads with added 2nd and 6th, diminished 7th chords, and whole tone scales. Thus facilitating key and/or chord changes. Delicious!

Practice notes: still making lots of progress on Passacaille, goal of ♪=144
Practicing goes better if I do not also do all my upper body PT exercises in the morning.
**Find another time to do them.**