Part of Automne is memorized to the point I can play with it, not just play it. This is the good stuff.

Need to make a chart for Grey Donkeys.

I have the 1st section of Automne memorized with the exception of one measure, most of the 2nd section and most of the 3rd section.

I have most of Grey Donkeys memorized, but at a very slow speed.

I would like to look into what else might be easily memorized. (Rigaudon is almost there.)

Had fun yesterday trying to work Grey Donkeys back to performance level.  I was surprised and pleased at how easy it was to get it up to speed after a few minutes of intensive work (chaining). I hadn't been able to play it that fast before.

Tried to remember to concentrate on tone while working on arpeggios, but got more interested in playing fast. Was sort of successful, could definitely see improvement from last week.

Played Bells In Snow, (more like sight-read it) because I want snow. Not that I think I can make it snow by playing the harp.  Worked a little more on Prelude Intimes and Automne, both are coming along, and way more easy than what I've been working on for my album.

Bit the bullet and started working on Chaconne again, which is something that needs to be re-recorded.

Octaves with something I can't remember the name of - "Stilts" something? It's in Tiny Tales for Beginning Harpists. Or Beginners. Or something along those lines. I can't be bothered to get up and verify any of these names.

Got one more line of Automne under my belt. Played almost all of Prelude Intimes.

Tried to work on the first page of Rigaudon. I just do not know how to play that fast and loud without my fingers flying off the strings. Or wobbling.

Chords (Communion)
Automne middle section up to ♪=92.
Worked on Rigaudon since that's a piece I need to re-record.

Fiddlehed

Auld Lang Syne

Double notes (Idyllic Poem): Played at ♪ = 40 and it was a struggle!

Went over 2nd part of Automne, need to relearn it. Played almost all of Prelude Intimes. Flagged on very last page.

Got two more lines crossed off Prelude 4.

Played Prelude 2 and Arabesque 1 just because I can now.

Fiddlehed

D scale and variations and part of Intervals Single String.

Trills: Tambourin and (Inquietude)

Old tune review: Automne

Got more measures of Prelude 4 knocked out, and moved on to lines. All lines of 1st and 3rd page done. Second page needs measure and line work.

Will the Circle Be Unbroken
How to Warm Up

Poetical arpeggios and Prelude Intimes. Tried jump to quiet chords in Prelude 2.

Fiddle: Frere Jacques, Ode to Joy, Kerry Polka, Kerfunken Jig.

Bochsa octaves.

Worked on last 2 Prelude Intimes.

Knocked out more measures of Prelude 4.

Played many of the Solos for Harp Player.

Too tired to really do too much. A little bit of double notes, a little bit of review of old pieces.

Fiddle Friday

Did Introduction To Bowing and Introduction To Fingering Lesson 1. Introduction to Fingering Lesson 2 seems to be missing. Played Mary Had A Little Lamb in the key of D major.

RH trills with Tambourin and LH with Poetic Studies.

Went through the rest of Medieval to Modern. Yikes.

knocked out several more measures on Prelude 4.

Using the new practice session structure yesterday I worked on scales from Poetical Studies, ran through Preludes Intimes, and worked on Srebotnjak's Prelude 4.

Notes on the session: I want more speed out of my scales, but can't do that until I've warmed up? It takes a while and takes too much time out of my limited practice time? Will I loosen up over time to the point where I can sit down and bang out some scales quickly? I need to learn the last 2 Prelude Intimes.

Today, I worked on arpeggios from Poetical Studies. I ran through Solfegietto and the first few pieces in Medieval to Modern. Ran out of time.

Notes: My hands feel great.

Sos. Or, "Wow" - with my fingers on the correct keys (although SOS could be appropriate) - I didn't write here that I finished the first draft of my album, ie I got Giga recorded.

However, it's crap, and I'm going to have to re-record it. Editing is underway, which is how I know Giga is crap. Some other things are crap, too, but that may be ok because my microphone was broken during that session.

After getting my album "done", I slipped on practicing (hence the "SOS").  I found a couple resources that helped get me inspired to practice again: http://harpmastery.com/ which is a website run by Anne Sullivan who blogs helpfully and frequently about being better at the harp, and http://fiddlehed.com/ which is a website created by Jason the Fiddlehed who teaches fiddle through multitudinous youtube videos where you can find lesson plans and strategies as well as an extremely helpful daily lesson outline.  Both are extremely encouraging teachers.

Today, I'm running a little behind in my schedule, so I only got to warm up and work a little on Prelude 4.  I'm going to try going over pieces I already know in future sessions, as recommended on fiddlehed as well as an article I read about Salzedo that said he went though an entire recital repertoire once a week.