I discovered a new book at the library called "Practiceopedia" by Phillip Johnston. It's available at the website Inside Music Teaching. It also seems to have fallen into that "out-of-print-charging-an-arm-and-a-leg-syndrome" over at amazon. $687.90? Really? Even the $125.50 used copies are a rip-off when you can order it direct from the source for a reasonable $39.95.
Anyway, it had a wealth of practice tips - so many I couldn't get through them all in the time allotted, and I'm trying to incorporate some of them:
+ Analyzing the piece before you learn it - ie, what would you want a critic to say after hearing you perform it? You should have 4-6 descriptors. I've never thought about that before in concrete terms, so I'm eager to see if it will make a difference in the finished product. Before, I analyzed pieces as far as what key they're in and when it changes.
+Practice scales. IN TIME. And get them precise.
+Practice piece slowly, then add in dynamics at slow tempo, then speed up. This is very opposite what I was taught, and it's stressing me out, surprisingly. But, what can it hurt? (Besides my hands.) And I'm not getting the results I want using the old way so I need to try something different. You should be able to record the piece slowly, without fault, and use software to speed it up and have it sound exactly the way you want.
Lariviere - scales from ♩ = 50 - 200. Try (flight) instead - much more interesting.
LGR - Analyzed. Finger stabbed with scissors prevented serious work, and serious work is definitely needed.
Berceuse - Analyzed.
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Is this a Christmas present hint? ;o)
ReplyDeleteYes?
ReplyDelete1. I assume we’re talking about Practiceopedia rather than stabbing yourself.
Delete2. I assume it would be more useful now than later.
3. If you can forego the fancy wrapping, it seems to me direct delivery would be a better choice.
1. Yes!
Delete2. Yes again!
3. I can forego fancy wrapping.
4. Thank you!