Listened through Tambourin today.  Lots of buzzy fingers.  Slowing it down and picking it apart is showing lots of sloppy playing. Also, it's easier to be less buzzy when playing less loudly. 

Listened to a recording of Siciliano to find out exactly where the melody line is. Not where I expected, and I may need to change fingerings in order to bring out the melody properly.

Gavotte seems to be coming back to my fingers quickly.  Rigaudon is more challenging.

All need muscle-building work.

And I'm hoping my thumb is finally done peeling. It's like a notepad - ripping off a fresh sheet every day.

Started Rigaudon (Rameau) and Gavotte (Corelli) today. Made worksheets for both. Rigaudon is going to be challenging, Gavotte is both shorter and easier. And slower.

Siciliano and Tambourin both got the "record 3x in order to put colored dots on a copy" treatment to see where the problem points are.  There are... quite a few.  I hesitate in Siciliano and need to clean up the buzzing.  Tambourin is maybe not as far along as I'd like.