Played C Maj Sonata and tried Prelude 1. I actually still sort of have that in my fingers.

Finale did a surprisingly good job of recognizing the Bortniansky, although scanning it and saving as a .tif worked better than scanning it directly in as that didn't work at all.

Now to see if it will transpose it to anything recognizable in C♭.

Wore myself out being OUTSIDE. Finally, summer seems to be here. Short practice of Sonata in C Maj.

Need to:
-analyze it
-figure out how to play f and f♯ at the same time. Transpose it down 1/2 step? That would be B♯/C♭ major. Oy. Actually, C♭ would be just fine - I think that's what Salzedo did with Chaconne by Durand. Except that part is in C minor. Oy again. C♭ minor? What key signature would that even be? Need to analyze it, definitely.

ETA -and scan it in to Finale and clean it up because it looks like it was engraved on a sandy beach during an earthquake.

Getting my fingers in shape. Again. I'm tired of these interruptions. And my brain used to practicing/learning again.

Tried to play some Satie to see if my pedals are still creaking, and they are. Not sure if this means a trip to the harp repair person or just sucking it up and figuring out a different recording set-up.