I'm continuing to cobble together different pieces of Prelude 2.
The 2nd sequence of chords is out of tempo, even with the metronome! And I'm not able to remove the metronome clicking because I've already deleted the sample areas I could have used.
I need to re-record the whole thing after I restring my harp.
I'm becoming more of a critical listener (I hope).
Tuesday, January 3, 2012
Monday, December 26, 2011
Saturday, December 24, 2011
I experimented with shifting my strings up one soundboard hole to compensate for the amount the strings are offset from the center of the tuning discs. There are so many variables that I need to sit down and list them tomorrow.
I can feel my heartbeat all the way into my fingertips and my joints are stiff. I think my hands would be so much stronger if I did this every day.
Also started combining the good parts of Prelude 2 into one file.
I can feel my heartbeat all the way into my fingertips and my joints are stiff. I think my hands would be so much stronger if I did this every day.
Also started combining the good parts of Prelude 2 into one file.
Sunday, December 18, 2011
Tuesday, December 13, 2011
If you duplicate your track, then apply an effect, you can also adjust the gain (volume) of the effect. I believe the duplicated track would then be the original sound (dry signal) with effects, not just the effects. I think I could tease out different areas that need more or less work and then mix them back together! Cool stuff. Or even do a straight substitution.
"You can save a selection in a label. When you create a new label, the left selection edge determines the position of the label's flag. However, the right selection edge is also stored in the label, and when you click on it, the full original selection will be restored. " - Audacity I took a couple hours and started labeling good parts.
"You can save a selection in a label. When you create a new label, the left selection edge determines the position of the label's flag. However, the right selection edge is also stored in the label, and when you click on it, the full original selection will be restored. " - Audacity I took a couple hours and started labeling good parts.
Monday, December 12, 2011
I recorded myself three times: the first a once-through, and other two playing Prelude 2 three times each.
Yesterday, on the first file, I played around with different Gverb settings based on the wiki page. The Quick Fix sounds ok all around, but the Small, Bright Hall makes the high plinky notes sing. It gets rid of most of the finger noise and makes my harp sound like what I think it should sound like.
Today, I went through the other two files and split out each repetition of the Prelude. As well as little bits I played here and there to try to correct dynamics, mistakes, and loud pedal changes. That took about 1.5 hours including a popcorn emergency. :)
Yesterday, on the first file, I played around with different Gverb settings based on the wiki page. The Quick Fix sounds ok all around, but the Small, Bright Hall makes the high plinky notes sing. It gets rid of most of the finger noise and makes my harp sound like what I think it should sound like.
Today, I went through the other two files and split out each repetition of the Prelude. As well as little bits I played here and there to try to correct dynamics, mistakes, and loud pedal changes. That took about 1.5 hours including a popcorn emergency. :)
Sunday, December 11, 2011
Tuesday, December 6, 2011
Friday, December 2, 2011
Sunday, November 27, 2011
Tuesday, November 8, 2011
Tuesday, November 1, 2011
Monday, October 31, 2011
On a whim, I emailed L&H to ask if they could tell me anything about my harp. I knew it was a style 21, but I now know it was definitely made in the early 1890s and the original owner was Mabelle Lynn Childs. I researched a little at work today and asked a couple Library Assistants to find out a little more about her, but no luck. She may have owned a longhaired female cat named Tootsie in 1906, but that is not confirmed.
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